You might find that mono sources in professional mixes are placed wider than you think. A wide mix always has at least a few sounds out at the edges.Īt first it may seem a little jarring to leave a mono track out in a remote region of the stereo field, but take a moment to do some critical mix referencing. The solution is extremely easy-pan your sources wide!ĭon’t be afraid to push tracks out to the extremes. This can cause their mixes to sound narrow and too focused around the center of the stereo field. Pan wideīeginning and intermediate engineers are often conservative with their panning. Think twice about recording sources in stereo if they don’t contain naturally occurring stereo information. Sources with natural stereo spread like drum overheads, piano or room mics are good candidates for stereo tracks. It can also lead to collapse in situations where your mix is summed completely or partially to mono.Ī wide-sounding mix is composed of a variety of stereo tracks and mono sources panned in different positions-including the extreme ends of the spectrum. Too many stereo tracks can cause your individual instruments to sound ambiguous in the stereo field. It may seem like using more stereo tracks would give you a wider mix. With most stereo techniques, you’re limited to the stereo image that you record in the moment. It’s very difficult to change the stereo characteristics of a recording after the fact. If you’re trying to recreate an accurate stereo image of an acoustic sound, you’ll have to get it right at the source. Listen to a free preview to hear how LANDR can enrich the depth and spread of your mix.Īn important factor for good stereo imaging is to capture your stereo sources correctly. Hot tip: LANDR Mastering uses intelligent stereo processing to create masters with enhanced stereo width and improved center focus. I’ll go through each approach and explain how it works.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |